Gruppenausstellung bei 48 Stunden Neukölln, 14.–16. Juni 2019
Festival-Thema: „Futur III“
Ehemaliges Umspannwerk, Richardstraße 20, 12043 Berlin
Die Ausstellung versammelt künstlerische Positionen, die sich mit dem Thema des technischen Fortschritts auseinandersetzen und experimentelle und spielerische Strategien entwickeln, um den dystopischen Fantasien etwas entgegenzusetzen. Die Fragen, was technisch machbar und wünschenswert ist und wer entscheidet, was (technische) Perfektion ist, bilden den konzeptuellen Rahmen. Es geht um die Fragen nach Normen, Normalität und dem Reiz des Außergewöhnlichen. Welchen Normen müssen Künstler*innen und ihre Arbeiten erfüllen? Ist eine Behinderung ein Fehler, der (medizin-)technisch behoben oder versteckt werden muss? Oder lässt sich eine Behinderung für die künstlerische Arbeit fruchtbar machen?
Teilnehmende Künstler*innen: Anna Berndtson, Heike Bollig, Minhye Chu, Monika Gabriela Dorniak, Ono Ludwig, Gerald Pirner.
Workshops for art and cultural professionals, with Diversity.Arts.Culture and Berlinklusion
1° Workshop: Förderfähig 25.10.2018
In this workshop we provide an overview on funding and financial opportunities for Berlin artists. We discuss, above all, which is the opportunity to go for when you apply for funding. How does an application process work? Together we will go through a funding application guiding you step by step. This workshop is intended for disabled and art workers with a disability who want to work but need more information. The aim is to encourage artists to insert themselves in the regular art market. At the end of the workshop there is the opportunity to network and exchange ideas.
2° Workshop: Mein Ich und dein Bild von mir 1.12.2018
I work as an artist and have a disability. And now? Should I hide the disability? Should I explicitly point this out? Should I make it my trademark? In this workshop, we discuss in a sheltered space the strategies that artists with disabilities develop to answer these questions. Together, we consider how important is disability when it comes to identity, how it is part of our self-expression, and how to deal with discrimination in cultural life. If you want, you can talk about your own experiences. After the workshop, there is the opportunity to participate in a tactile tour through the Berlinische Galerie.
Workshop leaders: Speaker: Annton Beate Schmidt (artist), Monika Dorniak (artist) Moderators: Kate Brehme and Dirk Sorge (Berlinklusion)
Berlinklusion is happy to be co-organizing Meeting Place Berlin all-day learning forum on Arts and Disability with Arts Access Australia, Diversity.Arts.Culture – Berliner Projektbüro für Diversitätsentwicklung and Förderband e.V. – Kulturinitiative Berlin.
Arts Access Australia in cooperation with Diversity.Arts.Culture – Berliner Projektbüro für Diversitätsentwicklung are pleased to present Meeting Place.
This all-day event provides an inclusive learning space and critical platform to discuss and debate the latest in arts and disability1. Twelve local and international speakers will engage in powerful presentations, round table discussions and interactive workshops. Topics include planning through disability engagement, networking in inclusive cultural work, interpreting contemporary art from a disabled perspective, and discussing challenges and opportunities for improving access to cultural funding for people with disability.
Meeting Place is part of the Australia & Berlin Arts Exchange October 9-20, which presents a vibrant mix of arts workshops, music, dance and performances. As well as learning forums for cultural exchange between Australian and Berlin artists and arts and culture leaders with disability.
The Program was prepared through intense cooperation with Berlin partners Berlinklusion – Network for Accessibility in Arts and Culture and Förderband e.V. – Kulturinitiative Berlin.
Host and project partner Diversity.Arts.Culture – Berliner Projektbüro für Diversitätsentwicklung is a project by Kulturprojekte Berlin that aims to foster diversity in the Berlin cultural sector.
Meeting Place will be followed by a reception and performance by Australian Indie rock band Rudely Interrupted from 5.30 – 8.00pm in the Podewil Foyer.
1 We follow the social model of disability – this means that we view disability as a social construct where barriers are imposed on the individual, rather than the individual being defined by their medical condition or impairment. However we also recognise and respect that disability is defined by the individual and their lived experience. When we talk about inclusion and accessibility, we want this for all peoples, however they may identify.
Wheelchair accessibility is limited at the Podewil. Entry into the building is possible via ramps and elevators and we can offer assistance with opening doors. There are a wheelchair accessible bathroom and a relaxation room at the Podewil. The event will be translated into spoken German and English. The presentations and select workshops will be translated into German and British Sign language, too. The Program is available in Braille, large print and Plain Language.
The admission is to Meeting Place free, but due to space limitations registration is required.
The Australia & Berlin Arts Exchange October 9-20, presents a vibrant mix of arts workshops, music, dance and performances. As well as learning forums for cultural exchange between Australian and Berlin artists and arts and culture leaders with disability.
Following are some of the key program events. A number of private tours of museums and galleries will also be conducted, where Australian and Berlin artists will view exhibitions and discuss their access experience.
* Public events
Opening Ceremony, Tues 10.
The program will be officially launched at a small proceeding and will include performances from visiting Australian artists.
Stammtisch Artist Exchange, Brotfabrik, Wed 11. (5.30-7.30pm)
Australian artists join a meeting of local artists to discuss access and inclusion at Brotfabrik café/pub.
Australian and Berlin dancers join dancing session of Tanzfähig Initiative at Uferstudios and exchange experiences.
*Art Workshop & Launch of Berlinklusion Network for Accessibility in Arts and Culture, aquarium, Fri 13. (6-9pm)
Australian contemporary dancer Anna Seymour in collaboration with Berlin based artists will conduct a participatory performance and workshop incorporating sound, movement and visual art. The event will include a networking activity sponsored by Berlinklusion an international Network for Accessibility in Arts and Culture based in Berlin.
*Art Workshop, Stephanus Stiftung (11am-3pm) & Pop-up Exhibition and Drumming Workshop-Performance, Brotfabrik (5-8pm), Sat 14.
Mixed-media art workshop between sculpture and painting co-led by Australian painter Chelle Destefano and Corry Siw Mirski, visual artist from Berlin at Stephanus Stiftung; Presentation of the workshop with pop-up exhibition at the gallery space of Brotfabrik followed by drumming workshop-performance by Australian drummers Andrew Hewitt and Josh Hogan (Rudely Interrupted). Everyone is welcome to attend and meet the Artists.
*Meeting Place Forum (9am-5.30pm) & Performance (6-8pm), Podewil, Mon 16.
This all-day event will provide an inclusive learning space and critical platform to discuss and debate the latest in arts and disability. Followed by performance by Rudely Interrupted one of Australia’s most unique independent rock acts. To find out more and register for Meeting Place go to https://www.kubinaut.de/de/termine/meeting-place-berlin/.
*What disability? We are just drummers from down under!, Just Music/Sky Live, Tue 17. (7-9pm) TBC
Come and be inspired, hear the stories of 3 Australian drummers who have overcome the challenges and struggles of a disability to become successful drummers performing all over the world. Andrew Hewitt, Josh Hogan and Todd James will share their journeys, share their passions and play drums.
*Closing Party & Performance, Alte Kantine Wedding, Thurs 19. 7pm
Everyone is welcome to join us in a celebration at Alte Kantine Wedding with performance by Australian contemporary dancer Anna Seymour, presentation of art project “Under My Tongue” by Australian performer Belinda Locke, DJ set by DJ Eltron, dance, and highlights from the festival.
aquarium – Skalitzerstraße 6, 10999 Berlin
Stephanus Stiftung – Albertinenstraße 20, 13086 Berlin
Brotfabrik – Caligariplatz 1, 13086 Berlin
Podewil – Klosterstraße 68, 10179 Berlin
Just Music/Sky Live – Oranienstraße 142, 10969 Berlin
Alte Kantine Wedding – Uferstraße 8-11, 13357 Berlin
Diversity.Arts.Culture – Berliner Projektbüro für Diversitätsentwicklung, Kulturprojekte Berlin, Berlinklusion – Network for Accessibility in Arts and Culture, Förderband e.V. – Kulturinitiative Berlin, ABSV – Allgemeiner Blinden- und Sehbehindertenverein Berlin gegr. 1874 e. V., Alte Kantine Wedding, Brotfabrik, Stephanus-Stiftung, tanzfähig, Uferstudios, Just Music
This project is supported by the Australian Government through the Department of Communication and the Arts’ Catalyst—Australian Arts and Culture Fund and the Department of Foreign Affairs and Trade, Australia now Germany 2017 program.
Common Bond was an international collaboration project between myself, and photographers Rosita McKenzie (Edinburgh) and Jan Bölsche (Berlin). Common Bond followed on from the success of CAE’s previous project Through the Looking Glass, Dimly developed by myself, Rosita and Australian based photographer Andrew Follows, which saw Rosita McKenzie develop a body of work in response to Andrew’s work and encouraged a peer-mentoring relationship between the two artists during Andrew Follows Edinburgh residency. Where Through the Looking Glass saw Rosita take on the role of “host artist”, the Common Bond residency allowed Rosita to become the “visiting artist” and pursue a new peer-mentoring relationship with Berlin based photographer Jan Bölsche.
The initial project was developed in partnership over a year featuring a 2-week artist residency programme, a series of photo-shoot sessions in selected locations around the city; meetings and studio visits with Berlin based artists and photographers; a practical photography workshop led by Rosita and Jan for both sighted and non-sighted participants; and a public discussion group on the theme of normality, ableism and genetic engineering in September 2013.
Central to the residency was Rosita’s development of a new body of work in response to the concept of the “common bonds” between Britain and Germany. Rosita’s investigation of the city from an historical and cultural heritage perspective, interprets this visually rich city from her perspective as a blind person.
The residency enabled Rosita to forge new international connections with other artists and audiences and gave her an opportunity to help people with disabilities participate within contemporary art despite geographic and language barriers. Building on from her previous projects such as the Sight Unseen group exhibition in California, the residency has strengthened links between blind photographers Berlin and in Scotland.
The project continued with Jan, Rosita and myself developing and delivering further Blind Photography Workshops in other cities, exhibitions and the establishment of an international network of blind photographers.
From 2013 – 2016 Jovanna, Dirk and I developed and co-organized Neue Perspektiven gewinnen (Gain New Perspectives) with Berlin based non-profit Förderband eV.
Neue Perspektiven gewinnen is about the “inclusive museum”. Inclusive museum in this sense means: the development of museums and their exhibitions so that all persons, whether they have a disability or not, can use them.
In 2009, the United Nations Convention on the Rights of Persons with Disabilities entered into force in Germany. Since then, the topic of inclusion has enjoyed great prominence in general as well as in the field of arts and culture. Against the backdrop of scarce budgets and human resources, however, museums find themselves often entering new territory. The result is a lack of access to arts and culture for people with disabilities, as well as a lack of communication within this sector about experiences and knowledge of the needs of people with disabilities. Supported by one of the few disability arts funders Aktion Mensch e.V., we were able to initiate and carry out a series of 25 museum-specific workshops of varying orientation and intensity in addition to a kick-off event and a closing conference.
Our goals were:
Sensitize museum employees to different needs
Learn more, playfully experiment and learn from each other
Network with stakeholders and strengthen each other
The practical learning of people with and without disabilities
Better anchor inclusion within the museum
Inspire museum workers with other perceptual worlds and thus make their cultural offering more interesting
My role in Neue Perspectiven gewinnen was focused on contemporary art and inclusion. Together with Jovanna, I developed and led a multisensorial mediation and masterplan workshop for Berlinische Galerie employees from the fields of mediation, marketing, curation, exhibition design, technical design on 23.09. , 25.09. , 26.09.2015 and 11.02.2016.
This complex, multi-day workshop switched between theoretical approaches and practical exercises. The participants were also mixed: employees were joined by guests with mobility, visual and hearing impairment and guests with learning disabilities.
Photographs of the workshop courtesy of Neue Perspective gewinnen are below. You can find further details on the project on this page.
For over ten years I’ve had the pleasure of partnering with Amie Robinson, the art teacher at PS77 in Brooklyn New York and her students as part of The Museum of Modern Art’s Community and Access education team. (PS77 is a public school in Brooklyn NY for middle and high school aged students diagnosed on the autism spectrum.)
Though every single year we have partnered has been a revelation, I’d like to highlight 2015:
For this seven week program we focused on two exhibitions about artists who use their studio space as an integral part of their art-making practice- their studios become the ground for a kind of “world” they create and inhabit. In particular we focused on Matisse’s cut-paper collages which filled the walls of his home in Nice, and the work of a contemporary artist Daniel Gordon, who makes life size, three dimensional collages out of found images.
A number of things happened as a result of our encounters at MoMA: the students were now familiar with the idea of a kind of “manipulated” reality- they had explored images that transform everyday objects into something surreal and expressive, there was a spirit of play and experimentation in the air rooted in something familiar, personal and communal. Back at the school we collectively decided to build a life size, three dimensional kitchen still life from found images:
Three classes participated in the construction of the final art piece; every student participated in both the conception and creation of the project individually and at times communally, it spread across their school day and involved their classroom teacher, their computer teacher and their art teacher.
Every one of our sessions built upon previous investigations as we moved from the concrete to the abstract.
When the kitchen still life was complete, we lit it with studio lights, set up a camera and a tripod, and invited the students to take turns interacting with the set by both directing the scenarios within the set, and being the performers- they were both behind and in front of the lens if they wished. The final series of images blur the boundary between fiction and reality.
Parcours der Nichtsehenswürdigkeiten (Non-Sight Seeing Tour), workshop and guided tour by Jovana Komnenić and Dirk Sorge, part of Die Auflösung des Sehens (The Resolution of Sight), Kunsthaus Kloster Gravenhorst, 2014
The project “Die Auflösung des Sehens” was a creative reflection about the dominance of sight in art and everyday life. The project wants to point out the mechanisms of exclusion and to work in the opposite direction by inviting blind and visually impaired audience in the gallery. It explicitly addresses these audiences, but it is relevant for sighted people as well, because it points out the creative potential hiding in other ways of viewing things, the ability of invisibility to broaden the meaning. The overall goal was to bring awareness for this theme by using irritation and reflection.
The exhibition venue was the building of a former monastery situated in a large park area in the west of Germany. The whole project consisted of three parts and lasted one year (January to December 2014) with the project grant KunstKommunikation which supports a participatory approach in the arts. One part was a series of workshops with blind and visually impaired participants with the goal to develop a tour through the park, the second part was the production of a tactile map with audio output to guide visitors to the stops of the tour. The third part was the artistic intervention inside the historic building with site-specific installations.
For further photos and a video of the installations please visit http://dirksorge.de/aufloesung.htm and http://www.jovanakomnenic.com/file/work/Pages/die_auflosung_des_sehens.html.
Further information on the project and Kunsthaus Kloster Gravenhorst (German only):
Werkzeug Wahrnehmung (Perception as a Tool), experimental art mediation walk at 6th Berlin Biennale by Birgit auf der Lauer, Jovana Komnenić, Silja Korn, Anja Winter and Dirk Sorge, 2010
Perception as a Tool was a moderated walk through the 6th Berlin Biennial exhibition of contemporary art. It took visitors through the exhibition and its surrounding in the public space. The concept of the walk made reference to the curatorial idea of the exhibition, but reacted to it in a participatory and playful way. The curator Kathrin Rhomberg posed questions about reality. She asked the audience: “Do you believe in reality?”
Our idea was to test the senses of the participants on the walk. To examine together how different perceptions convey different information, how they consciously and unconsciously connect with diverse memories and produce meaning in that way. In that sense, our focus was on the individuality of perception, on acceptance of diversity, and on the exchange within the group.
Another potential we saw was the possibility to focus on hidden or invisible stories in the surrounding of the exhibition.